The Unforgiven | 용서받지 못한 자
Yoon Jong-Bin may be a baby-faced twenty-seven-year-old, but he’s also a young director with a bright future. The Unforgiven, his graduation thesis project at Chung-Ang University, is a powerful story of relationships shaped during compulsory South Korean military service. The film was released at the 2005 Pusan International Film Festival and was screened in the Un Certain Regard category at this year’s Cannes Film Festival.
I saw The Unforgiven at The University of Notre Dame last night. Yoon answered audience questions after the screening. That I got to experience two of my favorite things—Korea and film—in the same evening—has but one clear precedent—a 1989 screening of an execrable piece called America, America. Fortunately, The Unforgiven more than makes up for the other.
Some highlights:
-Although I knew better, it was still hard to disregard the apparent gay undertone of the movie (which goes more to show I’ve been away from Korea for a while). That easy same-sex intimacy one finds among Koreans looks very different to Western eyes. Time after time, Seung-Yong appears to be about to tell Tae-Jung what he came to say, and every time I held that in the back of my mind as a possible reason, even though I knew that wasn’t it. Knew it. I wasn’t surprised when an audience member asked the director about it. He said that he’s been asked about it everywhere he’s gone except, of course, in Korea.
